Male Subjectivity and Poetic Form in “New American” Poetry

1. Introduction
Andrew Mossin

2. “In Thicket”: Charles Olson, Poetic Career, and the Crisis of Cold War Masculinity
Andrew Mossin

3. “Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s The Venice Poem
Andrew Mossin

4. In the Shadow of Nerval: Robert Duncan, Robin Blaser, and the Poetics of (Mis)Translation
Andrew Mossin

5. Recovering the Public World: Robin Blaser, Hannah Arendt, and the Discourses of Self and Other in Image-Nations 1–12
Andrew Mossin

6. “Collapsed Aura”: Nathaniel Mackey, Robert Duncan, and the Poetics of Discrepant Subjectivity in “Song of the Andoumboulou”
Andrew Mossin

7. Afterword
Andrew Mossin

Keywords: Literature, Poetry and Poetics, Twentieth-Century Literature, Gender Studies