Music as Discourse

Introduction
Part 1: Theory
1. Music as Language
2. Criteria for Analysis I
3. Criteria for Analysis II
4. Bridges to Free Composition
5. Paradigmatic Analysis
Part 2: Analyses
6. Liszt, Orpheus (1853-4)
7. Brahms, Intermezzo, op. 119 no.2 (1893), Brahms, Symphony no. 1/ii (1872-76)
8. Mahler, Symphony no. 9/i (1908-09)
9. Beethoven, String Quartet op. 130/i (1825-26), Stravinsky, Symphonies of Wind Instruments (1920)
Epilogue
Bibliography

Keywords: MUSIC / Instruction & Study / Theory MUS041000