Unfinished Music

Preface I: First Things 1. Language and the Beginnings of Creation Preamble A Rhetoric of Sonata Sketches and the Improvisatoyr Fragments/Patrimonies II: Emanuel Bach and the Allure of the Irrational 2. Carl Philip Emanuel Bach and the Aesthetics of Patricide 3. The Ends of Veranderung 4. Late Works Kenner and Liebhaber A Last Sonata 5. Probestuck 6. Diderot's Paradoxe and Emanuel Bach's Empfindungen III: Between Enlightenment and Romance 7. Haydn's Chaos and Herder's Logos 8. Beethoven and the Romance of Creation Beethoven's Sketches and Shakespeare's Lovers Sketching the Improvisatory The Limits of Improvisation IV: Beethoven: Confronting the Past 9. Cadenza contra Text 10. Opus 90: In Search of Emanuel Bach 11. Adagio espressivo: Opus 109 as Radical Dialectic 12. Lisch aus, mein Licht: Song, Fugue and the Symptoms of A Late Style V:Fragments 13. Toward an Epistemology of Fragment 14. Reliquiel VI: Death Masks 15. Walter Benjamin and the Apprehending of Beauty

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Keywords: Bach, Beethoven, Mozart, Song, Symptoms