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RSSMaking Music Modern : New York in the 1920s | ||||||||||||||||||
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| An Introduction: The Modern Music Shop Enter the Moderns 1. Leo Ornstein: "Wild Man" of the 1910s 2. Creating a God: The Reception of Edgar Varese 3. The Arrival of European Modernism The Machine in the Concert Hall 4. Engineers of Art 5. Ballet Mecanique and International Modernist Networks Spirituality and American Dissonance 6. Dane Rudhyar's Vision of Dissonance 7. The Ecstasy of Carl Ruggles 8. Henry Cowell's "Throbbing Masses of Sounds" 9. Ruth Crawford and the Apotheosis of Spiritual Dissonance Myths and Institutions 10. A Forgotten Vanguard: The Legacy of Marion Bauer, Louis Gruenberg, Frederick Jacobi, and Emerson Whitmore 11. Organizing the Moderns 12. Women Patrons and Activists New World Neoclassicism 13. Neoclassicism: "Orthodox Europeanism" or Empowering Internationalism? 14. The Transatlantic Gaze of Aaron Copland 15. Virgil Thomson's "Cocktail of Culture" 16. A Quartet of New World Neoclassicists European Modernists and American Critics 17. Europeans in Performance and on Tour 18. Visionary Critics Widening Horizons 19. Modernism and "The Jazz Age" 20. Crossing Over with George Gershwin, Paul Whiteman, and the Modernists Epilogue Selected Discography | ||||||||||||||||||
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