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Hollywood Utopia: Ecology in Contemporary American Cinema

Hollywood Utopia: Ecology in Contemporary American Cinema 
Publisher  Intellect
Publication year  2005
Language  en
Edition  1
Page amount  272 pages
Category  Communication Studies
Format  Ebook
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Permanent PDF with Adobe DRM 40.00 €  Add to cart >
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Printing  Not allowed
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The fruit of years of painstaking study, Pat Brereton's Hollywood Utopia is a landmark in the emerging field of ecological media criticism. The more urban human societies become, the more our media reflect upon the landscapes, the animals and the fragile unities of our planet. Of no media formation is this more true than of Hollywood, as Brereton argues in this meticulously researched and carefully organised work. Far from trashing the planet, Hollywood films have, Brereton claims, a tradition stretching back to the 1950s of care and concern for humanity estranged from its roots, and a world at risk of destruction. Through innovative analyses of Jurassic Park, Easy Rider, Thelma and Louise, Star Trek, Terminator 2 and Blade Runner among countless older and newer films, Brereton traces a utopianism often overlooked in traditional film criticism. Not only films with explicitly Green agendas like Emerald Forest and Medicine Man, but in films noted for far different qualities exhibit the saving grace of nature. Films like Dances With Wolves or the towering spectacle of the tornado's heart in Twister provide grist for an original and far-reaching account of the place of nature in contemporary popular cinema. Dissent and disorder emerge in science fiction films of the 1950s and blockbusters of the early 21st century. The book traces complex negotiations with the meanings of nature and humananity's place in it through costume dramas and high-tech special effects bonanzas, always with an eye to the telling contradiction and the emergence of a generalised and liberal but nonetheless impressive and perhaps heartfelt need to restore the bonds that have been sundered between humans and their environment.
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